„Ce que retient Rousseau, c’est donc le caractère affectif commun au système verbal et au système musical : telle est sa thèse mettant l’emphase sur l’impact de la voix humaine, mais telle est aussi le lieu de sa critique à l’endroit de ce qui ne vise qu’à informer et, quand il s’agit de la musique, à se produire au mépris de la passion, à se déshumaniser.“ (p. 31) #Kremer-Marietti #Rousseau #SystèmeVerbal #SystèmeMusical
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Kremer-Marietti, Angèle, Introduction: Jean-Jacques Rousseau ou la double origine et son rapport au système Langue-Musique-Politique, in: Essai sur l’Origine des Langues, où il est parlé de la Mélodie, et de l’Imitation musicale. Paris: Editions Aubier Montaigne 1974, 11–83.