Archiv der Kategorie: Ästhetik

Adorno: Kunst

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„Zur Erfahrung der Kunst gehört das Bewußtsein des ihr immanenten Antagonismus von Außen und Innen.“ (p. 519) #Adorno #Kunst

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Adorno, Theodor W., Ästhetische Theorie. Frankfurt/M.: Suhrkamp Verlag 21974.

Benjamin: Die technische Reproduzierbarkeit des Kunstwerks

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„Die technische Reproduzierbarkeit des Kunstwerks verändert das Verhältnis zur Kunst. Aus dem Rückständigsten […] schlägt es in das fortschrittlichste […] um.“ (p. 32f.) #Benjamin #Reproduzierbarkeit #Kunstwerk

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Benjamin, Walter, Das Kunstwerk im Zeitalter seiner technichen Reproduzierbarkeit. Drei Studien zur Kunstsoziologie. Frankfurt am Main: Suhrkamp Verlag 101977.

Adorno: Harmoniebegriff

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„Die Emanzipation vom Harmoniebegriff enthüllt sich als Aufstand gegen den Schein“. (p. 154) #Adorno #Harmoniebegriff #Schein

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Adorno, Theodor W., Ästhetische Theorie. Frankfurt/M.: Suhrkamp Verlag 21974.

Adorno: Das Kunstwerk

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„Das vollends objektivierte Kunstwerk fröre ein zum bloßen Ding, das seiner Objektivation sich entziehende regredierte auf die ohnmächtige subjektive Regung und versänke in der empirischen Welt.“ (p. 262) #Adorno #Kunstwerk

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Adorno, Theodor W., Ästhetische Theorie. Frankfurt/M.: Suhrkamp Verlag 21974.

Adorno: Kunstwerke

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„Die ungelösten Antagonismen der Realität kehren wieder in den Kunstwerken als die immanenten Probleme der Form.“ (p. 16) #Adorno #Kunstwerke #Realität

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Adorno, Theodor W., Ästhetische Theorie. Frankfurt/M.: Suhrkamp Verlag 21974.