Benjamin: Die technische Reproduzierbarkeit des Kunstwerks

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„Die technische Reproduzierbarkeit des Kunstwerks verändert das Verhältnis zur Kunst. Aus dem Rückständigsten […] schlägt es in das fortschrittlichste […] um.“ (p. 32f.) #Benjamin #Reproduzierbarkeit #Kunstwerk

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Benjamin, Walter, Das Kunstwerk im Zeitalter seiner technichen Reproduzierbarkeit. Drei Studien zur Kunstsoziologie. Frankfurt am Main: Suhrkamp Verlag 101977.

Adorno: Harmoniebegriff

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„Die Emanzipation vom Harmoniebegriff enthüllt sich als Aufstand gegen den Schein“. (p. 154) #Adorno #Harmoniebegriff #Schein

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Adorno, Theodor W., Ästhetische Theorie. Frankfurt/M.: Suhrkamp Verlag 21974.

Habermas: Wertsphäre

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„Eine Wertsphäre, der sozial folgenreiche Ideen angehören, kann im allgemeinen nur unvollständig in einer legitimen Ordnung verkörpert werden. Das zeigt sich an der Gewalt, die in die Struktur von Handlungsnormen trotz ihres »Einverständnischarakters« eingebaut ist.“ (p. 267) #Habermas #Wertsphäre #Gewalt #Handlungsnormen

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Habermas, Jürgen, Theorie des kommunikativen Handelns. Band 1: Handlungsrationalität und gesellschaftliche Rationalisierung. Frankfurt/M.: Suhrkamp 21982.

Barthes: Sprache und Sprechen

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„[K]eine Sprache ohne Sprechen, und kein Sprechen außerhalb der Sprache“. (p. 15) #Barthes #Sprache #Sprechen

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Barthes, Roland, Elemente der Semiologie. Frankfurt/M.: Syndikat 21981. 96 S.

Benjamin: Selbstentfremdung

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„Ihre Selbstentfremdung hat jenen Grad erreicht, der sie ihre eigene Vernichtung als ästhetischen Genuß ersten Ranges erleben läßt.“ (p. 44) #Benjamin #Selbstentfremdung

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Benjamin, Walter, Das Kunstwerk im Zeitalter seiner technichen Reproduzierbarkeit. Drei Studien zur Kunstsoziologie. Frankfurt am Main: Suhrkamp Verlag 101977.