Merleau-Ponty: Der Sinn der Ausdrucksgeste

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„So ist der Sinn der Ausdrucksgeste, auf den wir die Einheit der Malerei gegründet haben, prinzipiell ein Sinn im Entstehen. Sein Auftreten (avènement) ist eine Verheißung von Ereignissen (événements).“ (p. 96) #Merleau-Ponty #Ausdrucksgeste

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Merleau-Ponty, Maurice, Zeichen. Hamburg: Meiner 2007.

Serres: Le bruit de fond

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„[L]e bruit de fond accompagne essentiellement toute communication d’information“. (p. 53) #Serres #bruit #communication #information

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Serres, Michel, Hermès II. L’interférence. Paris: Minuit 1972.

Todorov: Solitude

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„Solitude is not contrary to the state of nature but to the nature of man such as he really exists, that is, in society.“ (p. 58) #Todorov #solitude #society

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Todorov, Tzvetan, Frail Happiness. An Essay on Rousseau; übersetzt von John T. Scott und Robert D. Zaretsky. University Park, PA: Pennsylvania State University Press 2001.

Ricœur: La traduction

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„Parce qu’il n’existe pas de critère absolu de la bonne traduction; pour qu’un tel critère soit disponible, il faudrait qu’on puisse comparer le texte de départ et le texte d’arrivée à un troisième texte qui serait porteur du sens identique supposé circuler du premier au second.“ (p. 39) #Ricœur #traduction

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Ricœur, Paul, Sur la traduction. Paris: Bayard 2004.

Merleau-Ponty: Sinn

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„Dieser Sinn, der am Rand der Zeichen entsteht, und dieses Auftreten eines Ganzen in den Teilen finden sich in der ganzen Kulturgeschichte wieder.“ (p. 55) #Merleau-Ponty #Sinn #Zeichen #Kulturgeschichte

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Merleau-Ponty, Maurice, Zeichen. Hamburg: Meiner 2007.